Those overtones combine together to influence the overall sound through interference between the waves. Those differences are created by the overtones – the waves above the fundamental frequency. Any decent vocal mic should be able to handle that range.īut what makes your voice sound different than mine? In this case we are talking about the timbre of a voice – its characteristic tone. A common fundamental frequency range for both male and female voices is from 80 to 255 Hertz (Hz). Capturing the pitch differences is not that great a challenge. The actual range from the deepest window-rattling bass to the highest pitched speaking voice you can think of actually fall pretty close to each other in the overall scheme of things. Voices Are Similar InstrumentsĬonsider the the source material we are recording in our VO studios. Making slight specific adjustments are how we get the best out of our microphone and our voice. When recording voiceover, while there are a few basic tenets of position and distance those should be viewed as a starting point. Simply put, how you position the microphone matters. Through experimentation, I would find things that worked. Mostly through trial and error, I learned that both microphone placement and distance from the source have a strong capacity to change the texture and quality of the sound. That limited choice meant we had to get creative. “Mic Locker” was not an appropriate term. When I was first learning recording, the studios I worked in had only a single mic, or at best a small number of options. For a voice actor contemplating microphones, it’s helpful to understand a few core variables, so I want to start there. While I do recommend certain microphones, there are other factors to consider. The most common question is “What microphone should I get for my voice?” That’s a reasonable question to ask, but a slightly tricky one to answer. I find myself talking about microphones a lot. Microphones for your Voiceover Studio – The Basics Everyone I know who has had consistent success in voiceover invests in their training and continues to refine their craft.Īll of that is to say whatever you plan on investing in your setup, keep a bit in the budget a bit to treat and isolate the space, and to invest in developing your voiceover skills. My strong recommendation is to set aside some part of your budget for coaching, whether self-paced, group classes, one-on-one sessions, or focused workshops. Second, a microphone will reliably capture a horrible performance. They will reliably pick up the fan in your computer, the hum of the refrigerator on the other side of your wall, the footfalls of your upstairs neighbor, the vibration or air conditioners and heaters, and of course the traffic on the nearby roadway. That means they will also do a great job of finding all the flaws in your recording space. That’s their job! They are designed to capture the nuances of your voice. Furthermore, the type of microphones most commonly used for home voiceover recording are sensitive. The sounds of the world around you are tough to block out. Take a moment to consider your recording environment. Before you invest in a microphone…īefore you invest in a microphone and an audio interface to connect your studio computer, my strong advice is to make sure you have considered the big picture.įirst, a microphone will never sound better than the space it is in. However, buying a VO microphone is a reasonably small part of the equation. Yes, the microphone is the key piece of equipment in the home voiceover studio. I’ll also mention, that it’s really not about the mic. It’s a fair question, and in this resource I will discuss what a microphone needs to do in your VO studio, describe the different types of microphones you are likely to encounter, and make specific VO microphone model recommendations. What microphone should you get for VO? It’s generally the first question that a new voiceover student asks.
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